Tag Archive: Violence


Trigger Warning: Sexual violence.

Also spoilers for “Gotham” and “The Killing joke”.

This week I was a guest on Missmagicgirl´s youtube Channel. We discuss the classic comic “The Killing Joke” by Alan Moore (1988) and the movie adaption with the same name that was released in 2016. The conversation can be found below (I´m the one on the right). Enjoy!

February in The United States is ”Black History Month”, a national holiday in which Americans remember the long, multilayered history of Black Americans. The holiday sheds light on events and struggles Black Americans have faced, but also highlights the contributions that this minority has made nationally and internationally. In honor of this holiday, here are five diverse Cultural items that discuss race and experiences of Black Americans, and which, naturally, are headed or produced by members of this vibrant community.

1. ”Kindred” by Octavia E. Butler (published 1979): While often referred to as the first science fiction book written by a Black American woman, Butler herself considered it a fantasy novel. This splendid novel follows a time travel tale of the protagonist Dana, who one day is suddenly transported from 1976 to the 19th century, where she encounters her ancestral for-bearers, who are both white slave owners and Black slaves. Thus begins a journey that not only openly discusses American Slavery, but also raises complex questions about morality and power. This novel interestingly deconstructs the concept of time traveling, while also showcasing some of the most horrid and uncomfortable aspects of human nature. Not for the hesitant, or those who have a light acquaintance with the realities of slavery, the book deals with rape quite heavily, and is explicit in the sexual violence that Black women (both free and enslaved) were subjected to. The protagonist Dana, herself, often is ensnared in situations where she wanders into morally uncomfortable territory, and a subtle swell of self doubt is entangled in the interactions and reflections she experiences with her white husband (who time travels with her) with his faint dismissals of the repugnance relations of slavery. Her relationship with Rufus, her white slave-owning ancestor, is twisted and full of abuse, verging continually between friendship and hatred. Yet regardless of all this ”Kindred” mesmerizes and can only be called a real page turner. Fast paced and very exciting; Butler is able to mix historical fiction, social commentary and action-packed fantasy all into one book. Highly recommended to both genre and literary fiction lovers.

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2. ”Lemonade: the Visual album” (2016) by Beyonce: Few culture events were as buzzed about last year as Beyonce´s visual album ”Lemonade”. This ambitious hour-long odyssey adeptly combined poetry, songs and visual, while simultaneously being both an ode to Black Womanhood and Beyonce’s own personal explorations, including facing the anger for her husbands infidelity, the eternal messiness of complicated relationships one has with ones parents, Black lives matter, to name a few. Both the lyrics of Beyonce´s songs and the poems (a collaboration between Beyonce and British poet Warsan Shire) survey a riveting tale of a woman living and dealing with anger, jealousy, sadness and ultimately forgiveness towards her husband, while also remembering the resentment and love she felt towards her father, who cheated on her mother when she was a child. The mixture of visuals reflect not only the long form music video form but also makes loving nods to the production of visual artists from the likes of Matthew Barney to Pippilotti Rist. The stirring and lingering camera and vocals looking at the strides and difficulties of the Black Lives Matter movement, touch us especially as a melancholy segment where the group of (real life) Mothers of unarmed young black men gunned down in obviously racist events, stand as the human face of the stricken down in evident calm and startlingly noble demeanor. Loss and strength of a people are embodied in this scene where it´s hard not to tear up. So much has already been talked about “Lemonade”, so all that’s left to say is: watch it, you won´t regret it.

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3. ”A Patch of Blue” (1965), directed by Guy Green: This classic drama which resonates with elements of the romantic genre follows the young blind girl Selina who lives with an abusive mother. Selina´s mother has not only barred her from attending school, but seeks to totally and sadistically isolate her entirely from society. By accident, Selina stumbles upon Gordon, a (unknown to her) black man, and the two become friends. The movie stars Sidney Portier and Elizabeth Hartman (who would later voice Mrs. Brisby in ”The Secret of NIMF”). These two galvanizing presences enlighten the screen and give the tale a touch nuance a midst the strength of many heartfelt moments. The film discusses Gordon’s experiences with racial segregation of the period, and how his friendship with the white woman reverberates with fears, hesitations, and anxieties. Selina, trapped in her own segregation from the society, deals with a systematized ableist world which looks askance and down on the “less than human” of her blindness. The two characters, both dealing with their own oppression’s but also empowerment, bond and encourage one other, which blooms into a deep human relation. Connecting the leads, here, nothing more important need be said then that they really do seem to have an authentic and sweet feel between them. The movie also plays with the romantic aspect in a realistic way; while the film hints at a mutual attraction, the movie does not overly prioritize the love story, and instead focuses on Selina´s development and new fond chance to get education. A little known gem, but totally worth checking out.

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4. ”Home” by Toni Morrison (published 2012): While all of Morrison’s novels are worth reading, ”Home” is one of her newest releases and is fairly short, so a much more of a quicker read. The book follows two siblings, Frank and Ycindra Money, in Post-Korean war America. Frank is suffering PTSD from his time in the war, and lives in a world composed of continual confusions and a persistent mourning of the death of his fallen friends. “Home” begins with the duo being split due to Franks time in Korea, followed by him moving in with his girlfriend. Frank then hears via letter that Ycindra has grown sick, and must rush to her side. The book is told in a series of nonlinear flash backs from both Ycindra’s and Frank’s point of view, and is rounded out with segments of Frank´s internal dialogue candidly presented to the reader. While the book tackles issues such as racial discrimination and eugenics, the book also confronts the subjects of guilt, unreliable narration, and family. The relationship between Frank and Ycindra, who´s parents died when they were young and, therefore, were raised by unkind grandparents, is moving but also with it´s darker elements. The novel explores race and gender in subtle ways, with themes that anyone regardless of their backgrounds can relate to. ”Home” also gives a shocking twist that is bound to get the reader thinking. A must read.

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5. ”for colored girls who have considered suicide / when the rainbow is enuf ” by Ntozake Shange (published and first performed 1976): This experimental play has a dedicated fan-base, but was highly controversial at the time of its release. The author was accused of hating men, and the all black cast was unusual for the time. The play is told in verses, and if read in book form comes across as more poetic than play (Ms. Shange is a poet, as well as a playwright and novelist). The narrative follows the intertwined stories of a group of Black women, all having their own chronicles of joy and heartbreak. The poetic text tells a myriad of tales of rape, domestic abuse, sexual awakenings, the discovery of reading, and independence. The form of the play lies with each women telling their stories, playing on a narrative open field which moves from the uplifting to the funny and, naturally, through the devastating. The style also makes the reading experience unique. The cast is entirely female, entirely black, and talks about issues that revolutionized theater in America and beyond. A play that deserves the title classic in every way.

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So those are a few suggestions in honor of Black History Month. What would you all recommend? Comment down below!

“Adua” by Igiaba Scego

My third published article appear on the feminist site “Femtiden” last week. It is a review of a novel published in 2015 by the Somali-Italien writer Igiaba Scego. The novel deals with Italien history from a postcolonial viewpoint. Link down below:

http://www.femtiden.se/kreativt/romanen-adua-behandlar-tillhorighet-skuld-och-ensamhet/

The novel is fantastic. Highly recommended.

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Hi Everyone. The long hiatus in August and September was caused by sickness in the family and University work. But now I´m back!

First, here´s the long awaited discussion video I did with Missmagic girl!:

I have also began working for the webb-based only swedish feminist magazine “Femt!den”. Below you will find the two articles I´ve written so far:

My take on the poet Warsan Shire, who worked with Beyouncé on “Lemonade”: http://www.femtiden.se/kreativt/poesi-som-visar-det-manskliga-sidan-i-krig-och-flykt/

A deep look at Nellie Wongs poetry: http://www.femtiden.se/kreativt/nellie-wongs-banbrytande-poesi-skildrar-varlden/

Ms. Wong is perhaps the greatest poet that gets criminally little attention. If you like heartbreaking, political and smart poetry, check her out.

Best Wishes/ Maaretta

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The news of the Japan knife attack just reached me. It´s shocking and frightening that 19 disabled people were murdered by a man who has shown no remorse, claiming that he “saved them”. There are no words. Ableism still exist and we must talk about it, silence is dangerous.

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“All lives can´t matter until black lives matter” – Huffpost Black voices.

Due to the recent shootings of Alton Sterling and Philando Castile, it seems necessary to say something on this blog. However, many people have written much better on this issue than I ever could, so here´s a list of articles tackling the issue of racially charged police brutality:

From Colorlines:

Philando Castile is the 123rd person to be killed by a policemen just this year.

Issa Rae, creater of “The misadventures of awkward black girl”, created a scholarship to fund Alton Sterlings children. 

Diamond Reynolds, the woman who witnessed her boyfriend Castile be shot to death while unarmed, spoke out.

Minnesota Governer called the shooting racist.

Huffpost Black voices:

5 self-care practices black people can use while dealing with trauma.

How the dehumanization of black people continues after they are murdered.

Polimic:

23 everyday activities punishable by death if you´re black in America.

Bitch media:

“We can live in a world where police don´t kill people”. (Infact, most european countries like Finland already do).

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#Sayhername:

In 2015, at least six black women have been killed by police.

Kimberlé Crenshaw is fighting for forgotten women. 

Why we should declare that black women and girls matter too. 

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(Before we get started, I will like to say that this is not a spoiler free post. It should also be noted that it can be triggering for some readers as well, due to discussions of rape.)

Dan Harmon, the creator of the genius sitcom “Community”, has just recently along with Justin Roiland created a brand new animation that blends science fiction with black comedy. It follows the chaotic adventures of Rick, an alcoholic rough-personated scientist and his grandson Morty, a timid boy who semi-willingly goes along the madcap dimensional adventures instigated by his grandfather. The storylines are filled with gore, death and tragedy. The humor is quite dark, and the stories don´t always have happy endings. It is in the same mode storytelling as a slew of cartoons meant for adult audiences such as “Drawn Together” and “South Park”. However, when one looks beyond the gore filled scenes, one can see that “Rick and Morty” is a show that explores deeper themes as well. For instance, “Rick and Morty” is one of the few television shows that depict rape culture properly, without buying into myths of victim-blaming or simplifying ideas about who is a rape victim or who can be a predator.

Morty (right) and Rick (left)

Morty (right) and Rick (left)

The pilot of “Rick and Morty” show cast the series as filled with dark humor that joked about death, violence and trauma. The plots consisted of Rick dragging his fourteen year old grandson to all sorts of terrible dimensions, much to the rest families dismay. Mortys family consists of the dimwitted, insecure but goodhearted Jerry (his father) who Rick loves to belittle. Beth, Morty´s veterinarian mum and Ricks daughter. And Summer, Morty´s sister who wants to join in on her brothers and grandfathers misbegotten adventures. Rick and Morty’s travels are often dangerous, violent places that are filled with all sorts of peculiar creatures. The main selling point was its bleak sense of humor; however as the first season progressed it increased it´s serious world building and in the process was able to actually say some important things about violence.

In the first seasons fifth episode, “Meeseks and Destroy”, Morty asks Rick to allow him to decide what kind of adventure to have, since up until then, Rick had been the one who called all the shots. They make a deal that if Morty is able to handle the adventure he picks he will be allowed to choose every fifth adventure. They travel to a world that resembles the generic fantasy scenario, where Morty decides to help a poverty stricken village. In a reference to “Jack and the bean stock”, Morty and Rick climb up a bean stock and accidentally get the first giant they encounter killed. After being released from murder charges for the accidental Giant-slaughter, Rick and Morty end up at a tavern in the groundside village where things take a dark turn. Frustrated Rick goes off to gamble and Morty goes to use the restroom. There he meets a soft-spoken jellybean-shaped man who offers advice to Morty, which Morty initially appreciates. Suddenly, the benignly, supportive Jellybeanman begins getting uncomfortable close to Morty. The encounter proceeds into an uncomfortable scene where the Jellybeanman attempts to rape Morty, accusing Morty, all the while, of being a “tease”. Morty fights the Jellybeanman off, and, after the encounter, walks back out to meet Rick.

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The scene is played straight; it is not used for black comedy in the slightest. This is not only remarkable because the show itself tends to poke fun at dark subjects, but also because rape jokes in today’s television shows while full of such references to sexual assault rarely show the trauma which “Rick and Morty” conveys in this brief scene. Shows such as “Two broke girls” and “Robot Chicken” tend to use rape as a throw away punch line and shock value. Casual jokes are made at both female and male survivors dispense. The problem, particularly with rape jokes, is that they tend to minimalize the violence of rape, and tend to more often fall into common victim-blaming, misogynistic language (or homophobic, if the joke is about male rape). The problem with such jokes are that they take a huge global issue (one in three women and one in six men have experienced sexual violence world wide) and treat it without any caution or seriousness. But in “Rick and Morty” the attempted rape of Morty is treated seriously; the writers cleverly decide to let the scene be gritty.

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“Rick and Morty”, having the Jellybeanman accuse Morty of being a tease, underline the continued instance in media of making victim-blaming jokes and the writers highlight how rapists themselves use victim-blaming to further their abuse.

After escaping the restroom assault of the Jellybeanman Morty silently tells Rick he wants to go home. Rick sees the Jellybean man leave the restroom and figures out what happens. Then an incredible piece of writing takes place; Rick doesn´t pressure Morty into telling him what happened. He doesn´t blame Morty in any way. He does what many survivors have claimed is the best thing to do; he doesn´t say anything, but let´s Morty know that he´s there for him. Rick shows Morty the cash he´s won gambling and tells Morty they can end thier adventure and giving Rick praise for the choice of adventure. Having Rick not pressure or blame Morty is incredible and a good moral to send: give abuse survivors space but also make sure they know you´re there for them. The episode however does give into some fantasies; in the end of the episode, when Rick and Morty are leaving the world, Rick quickly shoots (and kills) the jellybeanman, unbeknown to the already departed Morty.

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The show also dwells into deconstructing rape culture myths. In episode six, “Ricks Potion #9”, Morty is shown pining after his crush, Jessica. He´s gloomy for not having a date to the schools dance, and is obsessed with the idea of Jessica. Utterly love struck the boy turns to Rick for help. His grandfather tries to ignore Morty, but after Morty has a protracted outburst about how he always helps Rick and never gets anything back, Rick gives in and hands his nephew a potion made from animals DNAs that will make Jessica fall forever in love with Morty, wanting to mate with Morty for life. While the potion is a success, it turns out its success spreads through bodily fluids and therefore becomes an epidemic due to flu season.

Jessica after the drug kicks in

Jessica after the drug kicks in

Everyone at Morty´s school dance becomes infected and aggressively falls into a deep love/lust with Morty. Students and teachers alike start to fight over Morty, creating a fairly funny scenario. Rick turns up to help Morty via one of Ricks favorite mode of transport, his spaceships. While the whole world becomes more and more infected, Rick desperately tries out different potions to find a cure. Unfortunately this just leads to everybody on earth turning into horrible looking monsters.

When Morty starts to complain that Rick is being irresponsible, Rick then says to Morty: “All I wanted was for you to hand me a screwdriver! But instead you had me buckle down and…make you a…roofie…juice serum, so you can roofie that poor girl at your school. Are you kidding me, Morty?! You’re really gonna try to take the high road on this one? Y’know your-you’re a little creep, Morty! Your-you’re just a little creepy creep person!”. This speech brilliantly points out the ethical problems with love potions, and points out the predatory nature of Morty’s request. (Though our western society has come to give some acknowledgement to the horrid problem of drugging and raping; as the Finnish-Swede journalist Johanna Koljonen has said: “The problem then lies in that we then believe that only nasty, horrible men could do such things. The reality is that even so-called sweet, nice boys and men could be rapists”.)

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Having instigated a drugging for assaultive, forced physicality Morty shows us the everyman and sympathetic protagonist, the nice guy, attempting sexual violence while denying, with the common thoughts of our society, what it is. This critique of the offensive action, and its insidious ideological justification, is a brave, important move for a television show. When asked why they rape, a lot of men express the opinion that they felt entitled. Morty, in his weakness, felt entitled as well. He may be a “nice boy”, but he has bought into societies misogynistic views and therefore did something horrible. Morty of course admits to Rick that he was wrong, which happens less in real life, but the fact that a show actually depicted a common mental state that any man (the “Privileged Person”) could have and then points out how this mentality devastates the women and girls (and actually the entire society, which this action comes to destroy) is straight out fantastic to see. This sense of entitlement of a “Privileged Person” for the “lesser person” of the “Oppressed Body” is a problem, and it should be more often addressed in these ways.

The show is also a great example of understanding that anyone could be a victim to sexual violence. Mortys dad, Jerry, gets held at gun point by a woman in the season finale. She tries to force him to have sex, but is rescued by Beth at the last minute. Beth even calls the woman “a rapist”. When Beth says she couldn´t have guessed from the woman’s looks that she was a rapist, Jerry angrily points out that it´s nonsense to assume you can tell such things from ones looks. It is true; looks are deceiving, and the sad truth is that rape culture is deeply ingrained within our society. This means that while men are taught that they may be entitled to a woman´s body, women are taught that men are always eager for sex. Therefore anyone, regardless of gender or race or age, can be a rapist. Both Jerry, Morty and Jessica were nearly raped in the show; and the perpetrators were both male and female. “Rick and Morty” is clear in its message that rape is rape.
Rape is often an shoddily used tool for drama or a lazy source of comedy on television, but “Rick and Morty” is able to avoid most of the insensitive tropes foisted upon us by the pop media.

Jerry held at gunpoint

Jerry held at gunpoint

“Rick and Morty” is careful with this subject, showing a full understanding that when discussing sexual violence it is important to respect the sufferer of the assault and consider the personhood of the survivor in our interactions with them.

Lastly, while bringing the subject up, it is about time that we as a culture actually talk about the culture that creates predators and gives them a set of rationalizations for their brutality , instead of minimizing them and stripping them of their justifications of violence .

Awareness Ribbon for sexual violence

Awareness Ribbon for sexual violence

Over at the YouTube Channel “Screenjunkies” there was a lively discussion about film adaptations, regarding a panel discussion of what were the most and least well made adaptations of comic genre and, its close companion, the Graphic novel*. The video panel discussion ended with a question to the viewers regarding what comic/graphic novel they would most like to see get adapted to film. After pondering this question for a while, I came to the conclusion that only naming a few would not be fair, since, within the entire history of Alternative Comics, some truly remarkable stories have been told, and, in their breathtaking and compelling sweep of ideas and vision, would lend themselves well to a big screen incarnation.

1.“Shortcomings” by Adrian Tomine: A cynical look on race, Tomine’s masterpiece centers on the unsympathetic Ben. His girlfriend Miko accuses him often of being ashamed of his Japanese heritage, which she in returned is extremely proud of. She also accuses him of having an obsession with white women, which Ben laughs at. However, once Miko decides to leave for New York for a couple of months, Ben decides to replace Miko with a white woman (proving Miko´s discomfort to be accurate). When all does not go as planned, Ben flies to New York to meet Miko and becomes obsessively jealous when it turns out Miko is dating someone else.

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“Shortcomings” is about flawed people engulfed in a racist society, mixing character study with harsh social commentary. Ben in his hypocrisy claims he does not want to be a victim, but simultaneously has become so unlikeable and hypocritical because of the white supremacist emasculation of Asian men. Miko has her own prejudices as well, but ultimately finds empowerment in her pride. The comic also addresses race fetishazation, and explores the myth of White normativety as desirable. A film adaption that would also include the comic’s social commentary would be a brave move, but no doubt an ultimately enjoyable film.

Cover of "Shortcomings"

Cover of “Shortcomings”

2. “X-Day 1&2” by Setona Mizushiro: This manga is famous among those who like their manga and anime more close to “real life”. The plot centers around three students and one teacher who due to personal difficulties, decide, via an internet chat room, to blow up the school they attend and work at. The biology teacher, using the pseudonym “Jangalian”, due to being stalked by the principals daughter; is engulfed in a sense of powerless exasperated by the unending claims of the school’s principal that Jangalian has slept with his out of control daughter (he hasn´t). The school principle continually foists the blame for her behavior on the victimized Jangalian. Mr. Money, a male student, has an abusive mother. 11, a former popular athlete, is entrapped in the insecurity that other women continually strip her of boyfriends and friends, and Polaris is crippled by shyness unless she wears gothic Lolita clothes, which the school prohibits.

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While the beginning of this Manga feels like it will be a dark terror story, the four start to reach out to each other and common bound circumventing the planning the attack through friendship. Mizushiro doesn´t shy away from depicting youth sexuality and loneliness, and boldly illustrates four lost souls who find solace in each other. The characters captivate and possess you, making the reader cheer for the melancholic protagonists to overcome their situations. With protagonists like these, this adaption could very well become a classic Anime movie.

Read left to right, dear folks!

Pages from “X-Day 1”. Read left to right, dear folks!

3. “Tuuli ja Mursky” (“Wind and the Storm”) by Tiitu Takalo – In a time where every woman is in one way or another affected by the misogyny of rape culture, it seems like an appropriate moment for an adaptation of a Graphic novel which addresses every aspect of that said culture. The comic centers around a group of young feminists who discover the fact that one of their members, Miira, has been raped at a party. Miira doesn´t want to report the horrid incident of abuse to the police, but still wishes her rapist to be exposed. Her friends do what they can by putting up posters, talking to people who had attended the party, and so on; but after being constantly shut down and silenced in their quest for justice, the young women grow angry and begin to consider more lethal means.

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The comic discusses repressions and prejudices victims of sexual abuse face, and the rampant misconceptions people have of the rapist and the culture that empowers their acts of violence. The boy who perpetuates the abuse to Miira in this tale, is an unquestioned friend and wildly known to be a pleasant fellow resonating the plot of the story with one of the most popular misconceptions about rapist/sexual abusers as a repulsive persona, mean-spirited and outside of society. Holding strong with the truth of rapists in a rape culture this comic confronts us with the reality of the nice fellow simultaneously hiding the most abusive of tendencies.
Miira had passed out at the party and the collection of friends find that many of the people involved in their inquiry try to convince the group that the incident was Miira fault, ignoring the fact that her abuser intentionally choose to extremely violate both her body and trust.

Cover for "Tuuli ja Myrsky"

Cover for “Tuuli ja Myrsky”

The novel also addresses how rape culture affects men. The male ally of the group talks about how men are also afraid of walking alone during the night but due to the extreme pressures of an overburdening Macho culture are not allowed to admit such a simple fact. He also subjects within the story, when confronted with the rapist and his actions, merely berates the rapist for his behavior, stating that the abusers actions makes all men look like would-be rapists and chews the rapist out for ignoring the sphere of pain the act caused in action and aftermath to the actual victim of the molestation.

Ms. Tiitu Takalo

Ms. Tiitu Takalo

This Graphic Novel is regrettably underrated and is an exciting story that subverts the Rape-Revenge genre, while also addressing the issue of sexual violence in an in depth and serious manor. The issues it discusses cannot be more relevant and urgent, and the comic, while it should become more of staple stock to the lovers of the Graphic Novel genre, would do superbly as a filmic work.

The posters, saying: "Warning! Rapist!"

The posters, saying: “Warning! Rapist!”

4. “My friend Dahmer” by Derf Backderf: This is a chilling graphic memoir that came out just couple years ago. The story focuses not on the author himself, but his former classmate, Jeffrey Dahmer. In a society which obsesses over serial killers and the atrocious crimes they commit, “My Friend Dahmer” shifts the focus from the gruesome killings to an investigation of a teenage Dahmer who pointlessly grows to adulthood to become a monster. Backderf, who had acquaintance with Dahmer, puts together his own memories as well as memories Dahmer gave in interviews, envisioning for us a lonely, weird teenager who already at a young age showed disturbing behavior. Despite the red flags that even a teenage Backderf recognized, the adults revolving around the teen Dahmer didn’t ever pick up on the deviant behaviors, neither did they interact with him to exasperate his deviations. We find a wildly out of control Dahmer, in an attempt to get rid of his fantasies of necrophilia and killing, turning to heavy drinking, and where Dahmer’s only laughter is found with students who through their clumsiness hurt themsleves and others. Yet no adult ever intervenes.

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The story is powerful in it´s message: the troubled child didn´t have to end up killing people. Backderf wisely says that while our sympathy for Dahmer must end when he started killing, it should be still be noted that he once was a troubled teenager who adults failed. In this extreme case, “My Friend Dafmer” makes a convincing case for social and psychological support for children and teenagers. Ignoring young ones with problems will not make the problem go away. It will only be a problem which will lead to more evils. In worse case scenarios, ignoring a child who is having difficulties may cost innocent lives; a truly unnecessary sacrifice.

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5. “Epileptic” by David B.: Here is another memoir which does not star the author. Instead the story concentrates on the plight of the struggles of David B’s epileptic brother and the labor of a family attempting to cope. It depicts a happy childhood until one day, Davids brother Jean-Christophe gets a seizure. This leads the family to seek hills and mountains for a cure and, as time goes on, makes a once cheerful child into a bitter, mean spirited youngster and a depressed adult. This graphic novel starts off with a child’s perspective, where imagination and stories run wild and, as it unfolds, turns towards the surrealistic, where we find David and Jean-Christophe entrenched and entrapped within a fantasy in order to merely communicate. Jean-Christophe is put through several trials, in which he often is met with ableism. When he has seizures, people stare and make insensitive comments, as if he is childishly acting up or merely play-acting for attention. Jean-Christophe, in his spiral of suffering, becomes isolated from his peers, and as a teenager, while in the simple act of befriending a small boy, finds himself instead being accused of child molestation. David notes how the stigma of his brothers struggle haunts him into his adult life, when he recounts a conversation with a girlfriend which ends with the ultimatum that if they have a child, he has to make sure his genes are perfectly healthy since she “does not want any of his families illnesses”.

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Image from “Epileptic”; illustrating the prejudices aimed at David´s Brother

The book is spell-binding and tragic in its depiction of family life and society, where everything always seems to go wrong. David´s depictions are cryptic, but also loving towards his unfortunate, impossible brother. A truly remarkable read, it would no doubt be a film that would give animators free hands to simultaneously make wild drawings while also clutching the viewers hearts.

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6. “Elfriede – en dystopi” (“Elfriede – a dystopia”) by Åsa Grennvall: Now here´s a graphic novel that would be a real challenge to adapt. “Elfriede”, unlike the other graphic novels on this list, does not tell a straight story. In fact this tale is entirely a character study. It follows a middle age woman named Elfriede, who is extremely cynical and bitter about the world. She takes us through her job where she condescendingly describes her boss (whom according to her shouldn´t be able to get his job done but somehow does), how she tries not to get involved when a female co-worker ask for comfort and advice regarding her physically abusive boyfriend (since Elfriede´s attempts to help her before only end up with the co-worker getting angry at Elfriede and going back to her boyfriend anyway), and how she hates her happy-go-lucky friend. She talks about her children, who she hopes don’t hate her as much as she hates her parents. Elfriede speaks frankly of how she is doing a countdown to her death and how she believes humanity is doomed due to it´s own ignorance. This story should fail, but due to Grennvalls gifted talents it is instead a work of genius in its unique concept and visualization. Elfriede’s life becomes fascinating in a tale where the reader is brought to understand Elfriede and dreadfully notices that Elfriede has legitimate points within the context of her life.

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Bitterness is a very uncommon theme in fiction, which is a shame because, if used well, can make for a uncomfortably interesting read and an fascinating exploration of what we are in an indifferent world. “Elfriede – a dystopia” is a good testament of the many alternatives of life and our emotional responses to it, and a film adaption would make an interesting addition to the animated exploration of the existential.

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7. “Smile” by Raina Telgemeler: Remember when you were a teenager who hated the way you looked? Well, then you should definitely read this graphic memoir “Smile”. This tale follows the struggles of the protagonist with her dental care, where, after an accident, her teeth need intensive management and repair. Raina feels painfully insecure about her reconstituted teeth, and her teeth become the focus of fear about being different from her fellow classmates. Raina faces a lot of peer pressure and frustration when growing up, while also feeling the pain of bracelets which engulf her teeth and expose her as different in the mere acts of smiling or talking.
This graphic novel is an honest memoir that shows Raina at times as unpleasant as the worst about her, but also as sweet and secure at the oddest of moments.

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The best parts in the memoir, though, are the details about her friends, who, instead of being a reserve of comfort and connectedness, belittle and seem to find joy in bossing her about in her new outsider state. Though it takes time, as Raina grows older within the story, she acquires the strength to say no to her friends and in her blossoming confidence is even able to find less toxic friends.

This memoir is funny and very relatable and speaks to the growing pains that ring so true to many young girls and women. Now, with Young Adult film adaptation’s so popular, this tale, with its insightful teenage explorations, would make perfect sense to adapt to the filmic media. As an extra bonus, Ms. Telgemer has recently published another graphic memoir titled “Sisters”, which I for one can´t wait to read!

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8. “Moomins: The policeofficer´s nephew” by Lars Jansson: Technically cheating since this is a comic strip, but this supposedly younger readers graphic tale would be an interesting and extremely brave adaptation. Over at Flavorwire this “storybook” is found listed this as one of the children´s books that deserve a re-boot, and indeed, while the cartoon show which was based on the books is good, it still lacks a lot of the more philosophical and political themes which the Moomin books are famous for. The comics, while not always as good, were at best as sharp as the original stories. Especially we can note this comic series springing from the originals, where the police officers nephew comes for a visit to Moomin valley and decides he suddenly wants to become a policeman himself. Unfortunately this leads to a slew of over-enthusiastic actions leading him to harangue and arrest the innocent populace of the tranquil valley. To thwart the worst of the Nephews actions his Uncle claims there is an illegal drug trade in Moominvalley, hoping this will distract him. Yet instead of diverting the authoritarian behavior of the nephew it only makes things worse.

Muumit Brysselissä

This comic is as bizarre as it is funny and takes enormous risks, inside of this genre, in making references to both marijuana, cocaine as well as opium. Naturally, this comic is a critique of the social ideal of the police officer having definitive, unquestioned power within all encounters and situations, and of the drug panic which our society reacts to blindly (and criminalizes). While it can be argued that perhaps this comic is not exactly for young children, it still could pass for young adults and adults. The comic isn’t afraid of poking fun at authority while keeping the Moomins pure hearted and kind towards the misguided nephew. It is a truly odd, fun read and would most likely stir debate and laughter as a film.

Not from the same story line, but still funny!

Not from the same story line, but still funny!

9. “Army of God” by David Axe and Tim Hamilton: This is journalism in the form of comics, similar to the work of Joe Sacco (author of the classic “Palestine”). A little while back there was a lot of controversy over the video “Kony 2012”. Most reactions and opinions were spontaneous, though heartfelt, but few really got to get a clear picture of the ideology and actions perpetuated by the Kony “movement” in the Congo. In this comic, two journalists give a short introduction to the Congo´s modern history, what exactly the “Lord Resistance Army” (Kony´s terrorist group) is, about the international movement to stop “LDR”, and most importantly tells the story of few of Kony´s victims. It would be a great documentary film if adapted, and a much needed one, since it is hard to get real, concrete facts and information about the horrors LDR have committed.

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10. Nearly the entire comic output of Nina Hemmingsson: Ms. Hemmingsson is a Swedish comic artist who has become famous for her short comics about a socially inept young woman. Her collected works include “I am your girlfriend now”, “My beautiful eyes” and “It´s hard to be Elvis in Uppsala”**. Her works are witty, dark and hilarious. Addressing gender stereotypes and norms, her work details in a personal and bizarre fashion telling of the tireless exploration of characters pushing against convention while continuing the battle of being themselves. In a film adaptation it would be a interesting experiment of following multiple story lines and situations, bursting with awesome social commentary.

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For example, the story “I dated a Buddhist”*** is a sharp, funny commentary of white westerners who practice a form of “Buddhism”, simultaneously watering it down and not being entirely understanding about the real roots of the faith (i.e. committing cultural appropriation), all the while using their “enlightened faith” to elevate themselves amongst their peers and depress-shame others who inadvertently find themselves in their company. Another story depicts a young girl getting on a buss after a riding lesson. The driver makes a comment about all girls loving horses to which the young girl responds to gently point out that boys can also like horses and horse riding. This insight gets the young girl shut down in the conversation as soon as she indicates the sexist assumptions and absurdity of the discussion.

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One of Hemmingssons strips……” The young man encourages the older woman to express herself, the woman conveys her frustration and suggests a sexual liasion between them. The man quickly notes that some self-censorship is still advised.”

A common core to the story arc of Hemingsson’s tales is the positioning of the weird and wondrous protagonist to reflect the conditions of real life in a melancholic yet hopeful way. In the end of the day, a film version of these kind of stories would be great. Who doesn´t need some laughter nowadays?
So there´s my list. What do you readers think? Any other comics/graphic novels/graphic memoirs you would like to see a film adaption of?

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*For anyone interested, the very best comic/graphic novel adaptations done to date are “Persepolis” and the television adaptation of “The Boondocks” (specifically season 1 and 2).

persepolis** My own translations.

*** My own translations.

Hello everyone,
A lot has happened. So, a lot has been written and talked about. Here’s a short guide to some recommended post.

Kelsey Wallace over at “Bitch Media” wrote about the ten douchiest reactions to the Sandy Hook Tragedy.

Ann Somerville wrote about Gun Controll.

The author Vijay Prashad wrote about the deaths of children that don’t make news.

Rebecca Carroll viciously attacked Quentin Tarantino’s newest film, “Django Unchained” and rightfully so.

Nuala Cabral, a feminist activist, wrote an open letter to Universal Music Group’s corporation CEO Lucien Grainge regarding the music corporations constant exploitation of women of color.

On the same note, click here to watch a video where women of color tell the rapper 2 Chainz what they want for their birthday (in response to his hit single, “Birthday Song”).

If you haven’t or have heard of 2 Chainz and his single “Birthday Song, check out the Rap Critics deliciously funny review of his hit single.

Happy Holidays, everyone!

Best Regards, Maaretta

Iain Banks is perhaps most famous for the novel”The Wasp Factory”, which was published in 1984 and was Banks literary debut. Banks, after “The Wasp Factory” has written several popular Science Fiction novels, along with his more “conventional fiction”, most notably these include The Culture Novels which deal with a future planetary society where machines have become conscience creatures and humans and machine-consciousnesses live side by side. The first book in the series is “The Player of Games” and he begins the slight alteration of his name in the science fiction literature with the inclusion of an “M” as middle initial.

“The Wasp Factory” tells the odd tale of 16 year old Frank. He lives on a small island with his father, spending his time in the strangely personal ritualistic killing of animals and grandiose pleasures of seeking prophecies from his Wasp Factory. The prophecies work through the dreadful trapping of a wasp into the terrible machinery of a clock prophecy machine. Inside the mechanism are many pathways the wasp can make its way through but all inevitably lead to death: one is where there is a small fire leads to a prolonged burning to death, another is filled with Franks urine which leads to a gruesome drowning and a third, of the many pathways to prophetic death, is a tunnel which leads the wasp to slow crushing. Frank believes he can foretell the future from what way the wasps will “choose” to die and the metaphors which surround the dreadful device of death. The novel begins with Frank receiving one of these steadfast and defining prophecies from this appalling engine of foretelling that informs him that his brother Eric will escape from the mental hospital has been sequestered in for years. This beginning sets the stage for a series of bizarre phone calls from Eric. The series of phone calls trigger in Frank remembrance of his earlier years when he went through a “phase” of early childhood spontaneity and detailed “play” in which he thought through and killed three playmates and relatives (one which is his other, younger brother Paul). Frank recalls his murders one by one while continuing his ritualistic and shamanistic killing of animals on the island. When Eric calls, Frank attempts to reason with his brother and figure out where he is hiding and his plans for making his way to the island, all the while keeping these calls a secret from his father and carrying out his own irrational agenda.

“The Wasp Factory” is a breath-taking reading experience, even if the story is disturbing. Franks calm and matter-of-factly narration of violence and murder is chilling. The narrative violence is also quite surrealistic in the underlining of Franks claim that he committed his first two murders under the age of ten. Even if the book is very grisly, Banks is also able to add a dark and light humor to the disturbing narrative. Eric’s maniacal phone calls to Frank are strangely hilarious and a conundrum of language and sense. Much like his brother, Eric is unjustly and absurdly cruel to animals. And we find out fairly early that Eric was been committed and shipped off to the mental institution for setting dogs on fire. Why Eric has been doing this is later revealed in the book.

“The Wasp Factory” deals with many interesting themes. One is its critique of human superstition. Franks obsession with his prophecies and the rituals in which he mercilessly tortures animals is a sharp attack on the horrors and absurdities engendered in “magical” thinking which requires of its followers and believers the most ridiculous and absurd of things. Banks points out that believing fanatically in the magical, the irrational, the unjustified and the illogical, without the application of thought, human reason and moral concern, can be that which is most dangerous for us and our societies. Another major theme attacked by Banks is the grounds of deception and the language of the lie. Here Banks is particularly and especially focusing on the lies of parents lying to their children and those under their care. Franks father keeps many, dark secrets from Frank which bares unbelievable and dire consequences.

But the most interesting theme explored in this novel is gender. At this point I will reveal a major spoiler, so be warned! If you decide that you want to skip the spoiler, scroll down to the last passage and read only that.
Frank is an extreme misogynist. He considers women to be, as he puts it, one of his greatest enemies:

“My greatest enemies are women and the sea. These things I hate. Women because they are weak and stupid and live in the shadows of men and are nothing compared to them”.

Frank later in the novel continues his ruthless bashing of the female gender by saying:

“Women, I know from watching hundreds – maybe thousands- of films and television programs, cannot withstand really major things happening to them; they get raped, or their loved ones die ,and they go to pieces, go crazy and commit suicide or just pine away until they die ”.

He proudly claims that men are good at killing and strong because of this. Frank bathes in male chauvinism, seeing women as the stereotypically “weaker sex”. Frank can’t find anything redeeming in the entire class of women. Nothing. His misogyny, however, backfires on him in the end of the novel, when Frank realizes he himself is actually a female. Frank is actually a woman who has just been secretly fed male hormones and has been nurtured as one of the gendered male clan. Franks father has experimented on Frank to see if he could change him/her into a male without him/her realizing it and so he/she has been told that his/her penis was bitten off by a dog when he/she was a toddler and therefore had nothing “down there”. At the end of the novel, when Frank is confronted with his/her supposed biological gender he/she is horrified and cannot accept this fact. Frank cannot accept himself as a woman, but in the oddity of her/his psyche it is because he/she thinks of themselves as ” good at killing” which would, in the strange logic of the ritualistic sex and death, crush the idea that women were weak and men the strong ones.

Frank turns out to be a woman that hates women. It is ironic to remember his hate speeches of women only to discover he himself has an XX chromosome.

“The Wasp Factory” bravely states, by the narrative mechanism of Franks ideology being crushed by his true identity, that we as humans always think we know where the line of femininity and masculinity are drawn, but in the end it is impossible to say how women are and men are and is a function of our cultures and our families. Since all humans are individuals what we are is human and not gender.
When “The Wasp Factory” was re-published on its 25th anniversary in 2009, it came out with an edition that featured a new preface by Iain Banks. It is interesting to read what his goal was when he wrote “The Wasp Factory”:

“…it was suppose to be a pro-feminist, anti-military work, satirizing religion and commenting on the way we’re shaped by our surroundings and upbringings and usual skewed information we’re presented with by those in power”.

These were Banks intentions and targets in the work of the Wasp Factory and he succeeded perfectly in reaching his goals! Few authors in my opinion have done such a well job on getting this still important and contentious “message” across to the reader with such force and clarity. “The Wasp Factory” is a work that is so good it hurts.