“I think most human beings go through some sort of depression in their life. And if they don’t, I think that’s weird” – Kirsten Dunst
Yu Dafu (郁达夫) was born in Fuyang (a country-level city under jurisdiction of Hangzhou, which in turn is the provincial capital of Zhejiang, an eastern coastal province in China) in 1896. He died in 1945, probably executed by the Japanese during the final moments of the Second Sino-Japanese War. Yu Dafu lived his yearly childhood years in poverty. However, he was able to study due to receiving several scholarships from the government of the time. Mr. Yu studied at several Universities, for instance the Hangchow University, which he only studied at for a short time since he was expelled for participating in a student strike. He then moved to Japan, where he met several Chinese intellectuals. Together they founded the “Creation Society”, which promoted modern literature. Around this time he also started publishing his earliest works in Japan; in 1921 he published the short story “Sinking” (“Chenlun”, 沉淪), his most famous work.
“Sinking” was mandatory reading for a university class I took last term. When discussing it, the class was fairly divided; many accused the story for depicting an egotistical person who does nothing. One woman in my class however stated: “This man seemed fairly isolated and hasn’t received any affection, any love from anyone. I think this character could have used some therapy”. Her thoughts reflect exactly the take this review will have of the protagonist in “Sinking” and what the story, arguable, describes: A man with severe emotional difficulties due to an unbalanced society.
The protagonist in “Sinking” is never named. He remains just simply an anonymous “He”. However his back story has many similarities to that of Yu Dafu, such as his father dying at the age of three and living in poverty as a child. It has been stated that Yu’s short stories and poems often reflect his emotions and are influenced by his experiences in life. However, this is a little questionable as a major theme in “Sinking”, found as well as his other works, is the feeling of being alienated from women, while the author in actuality was married three times with three different women. On the other hand similarity to Mr. Yu can be found in the stories protagonist is pursuing a study course in Japan and this is the environment which we explore with him. “Sinking” begins with the protagonist lost in a field of alienation triggered by the deep well of “lonesome” which engulfs his person. So begins a story tightly focused on the main characters feelings and moods which unmoored by the feelings of disconnection cause the mental state of the protagonist to uncontrollably (and drastically) undulate over the short span of the narratives unfolding.
Depression has only recently become a topic which our society can openly confront and discuss. And even if a new openness has been conceded to the subject within Western cultures, it is still one which finds an “uncomfortableness” in the normal conversations of the public and one which finds some stigma lurking in the background. In the midst of this silence and awkward speech, however are to be found some wonderful and insightful works of fiction that depict depression. The most famous example within this “genre” for the Western Reader is Sylvia Plath’s magnus opus, “The Bell Jar” and interestingly, Yu Dafu’s young, lonesome “He” shares similar traits with Esther, the protagonist of “The Bell Jar”.
“Sinking” is, frankly, another great literary depiction of depression and the whirlpool of desperate emotions it entails.
Both Esther and “He” find it impossible to enjoy literature. In the “The Bell Jar” Esther describes with great alarm to her psychiatrist and her mother that she “no longer reads books”. The protagonist of “Sinking” is described as picking up books, reading “out of sequence”, deceitfully deciding to himself that it would be a pity to just gulp down a book, and abandoning the text . Yu describes the fragmented thoughts engendered by this depression: “Everytime he closed a book, he made up similar excuses for himself. The real reason was that he had already grown a little tired of it”. Both start irregular sleeping habits, such as Esther describing that she “no longer sleeps”. “He” from “Sinking” starts to over sleep, also developing irregular eating habits: “Without bothering with lunch, he slept until four o´clock”. Other than that, the main character in “Sinking” has also a habit of crying spontaneously as well as has mood swings. “He” is prone to self-pity, a common trait of depression in men.
Naturally one can’t claim this story purposefully wants to solely illustrate a person with depression due to its simultaneous political agenda, however the text openly states that the character suffers from “melancholia” and arguable depression is the terrible and tumultuous state which Yu Dafu is hoping to explore.
Yu Dafu was a known critic of society and was known for highlighting government incompetence. During the 1920s, Chinese intellectuals (especially the ones who participated in the May Fourth Movement) believed that in order to improve Society one had to begin by looking, not at the State, but at the individual. To tone up the “I”, so to speak. “Sinking” is purposefully about a man who is not feeling well due to society. Similar to Esther’s depression in “The Bell Jar” being primarily triggered and horribly engendered by the rampant sexism in the American society, Yu’s protagonists depression is caused and sustained by the unstable economical and political situations in China, the alienation and racism he faces in Japan, and a Society which stoutly refuses to recognize its own problems placing it on the individual instead.
Critics have often pointed out that “Sinking” is highly nationalistic, which of course resonates differently today then what it did back in 1921. Personally, this inclination in the text bothers me little since it was mostly expressed as a sense of wanting to be just seen as equally good as others (Yu Dafu as we find in “He” is a Stranger in a foreign land)*. In Sinking, the protagonist laments: “Isn’t the scenery in China as beautiful? Aren’t the girls in China as pretty?”. “He” does wallow about in fantasies of revenge and violence, which is assuredly unnerving to the reader, but the statements and questions do strike a sort of truth regarding “He’s” chaotic, alienated mental state and the veiled hostile abandonment a society and State imposes on the “outsider”. The Japanese students who “He” continually encounters in the milieu of his study treat him coldly and venture into the adjacent terrain of alienating indifference and covert intimidation to which “He” naturally reacts to with insecurity and anger. It can be said for all that when engulfed in a shadow of forces beyond control and sense even the sanest of us respond with insecurity, confusion and resentment. Using the Plight of “He” Yu Dafu endeavors, along with this question of the inhumanity of person to person, to lay a ground to motivate China to reform and improve itself. To look at the how the State may encourage and nurture the individual and consider a Society formed at the best intersections of Personnel and Political, the individual and the Nation/State.
Yu Dafu was also fairly shocking for his time with his frank dealing with sexuality. Indeed, “Sinking” makes frequent references and depictions of the protagonist masturbating. This works as a way to demystify self-pleasuring, but also a way to portray the protagonist’s alienation. He is insecure and uncertain of himself and barely can find the courage to approach women (or any person, really). He is friendless and unable to bond with another human being. The masturbation scenes are not for shock value, but an honest way for the author to speak of his protagonists’ feelings of guilt and his hopeless earning for love.
The story also is interesting in how openly the protagonist is, in his own way, a little bit too romantic for his own good. He even considers suicide since, as he puts it: “And what would life be without love?”.
Not much happens in “Sinking”, Yu just lets the story of a sad man’s life unfold. “Sinking” is a tale about emotions, deep unhappiness and despair. No doubt the story will speak to anyone who has ever felt lonely or hopeless at some point in their life. It is a raw, honest and painfully candid tale with timeless themes.
*As a person of Finnish descent, I can relate strongly to the insecurity of being in another countries “Shadow”. In fact I have asked similar questions to myself as “He”. Here’s a music video recorded by a Finnish Band about living in Swedens shadow (My apologies for the title, it was written in the fifties). No English, just Swedish and Finnish sorry.